<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Memory on Bardo</title><link>https://bardoberlin.com/tags/memory/</link><description>Recent content in Memory on Bardo</description><generator>Hugo</generator><language>en-US</language><atom:link href="https://bardoberlin.com/tags/memory/index.xml" rel="self" type="application/rss+xml"/><item><title>Dreams That Wake</title><link>https://bardoberlin.com/exhibitions/dreams-that-wake/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/dreams-that-wake/</guid><description>&lt;p&gt;&lt;em&gt;Dreams That Wake&lt;/em&gt; was a multidisciplinary exhibition that approached dreaming as a political, poetic, and embodied space — one where displacement, loss, care, and survival are sensed beyond language. It worked through installation, VR, sound, ritual, and collective practices.&lt;/p&gt;
&lt;p&gt;Rather than treating dreams as private or abstract experiences, the exhibition understands them as shared territories shaped by migration, exile, interrupted homecomings, and inherited memory. Moving between immersive digital environments and material installations, the works invite visitors to listen, rest, participate, and imagine collectively.&lt;/p&gt;</description></item><item><title>Eclipse de Kreeh: Selk’nam Archive</title><link>https://bardoberlin.com/exhibitions/eclipse-de-kreeh/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/eclipse-de-kreeh/</guid><description>&lt;p&gt;&lt;em&gt;Eclipse de Kreeh: Selk’nam Archive&lt;/em&gt; was an immersive installation by Violeta Maluendres González, co-curated with Carla Andrade. It unfolds as a living archive exploring the memory, rituals, and worldview of the Selk’nam people of Tierra del Fuego, whose culture was nearly erased through colonial violence.&lt;/p&gt;
&lt;p&gt;Taking the work of anthropologist Anne Chapman as a point of departure, the installation transforms archival research into a participatory experience, inviting visitors to engage with documents, images, sound, objects, and materials.&lt;/p&gt;</description></item><item><title>Topographies of Memory</title><link>https://bardoberlin.com/exhibitions/topographies-of-memory/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/topographies-of-memory/</guid><description>&lt;p&gt;&lt;em&gt;Topographies of Memory&lt;/em&gt; brings together two practices that engage with displacement, materiality, and embodied experience. Curated by Ayelén Ruiz, the exhibition unfolds as a dialogue between Carla Abilés and Paula Punto through textiles, archives, writing, and performance, approaching memory as a territory in constant transformation.&lt;/p&gt;
&lt;p&gt;Carla Abilés works across textile practices and research-based processes, exploring collective memory, migration, and material knowledge rooted in the Global South. Paula Punto develops a multidisciplinary practice spanning performance, photography, and writing, where personal experience becomes a site for political and historical inquiry.&lt;/p&gt;</description></item></channel></rss>