<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Installation on Bardo</title><link>https://bardoberlin.com/tags/installation/</link><description>Recent content in Installation on Bardo</description><generator>Hugo</generator><language>en-US</language><atom:link href="https://bardoberlin.com/tags/installation/index.xml" rel="self" type="application/rss+xml"/><item><title>Archivum Naturae</title><link>https://bardoberlin.com/exhibitions/archivum-naturae/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/archivum-naturae/</guid><description>&lt;p&gt;&lt;em&gt;Archivum Naturae&lt;/em&gt; brings together Ana Palacio and Andrea Nosetti in a reflection on the ways living organisms are transformed into archives, images, fragments, and reproducible structures.&lt;/p&gt;
&lt;p&gt;Nature appears here not as an untouched landscape, but as a territory shaped by displacement, technological mediation, extraction, and survival. Birds from southern Latin America and digitally reproduced insects become traces of ecosystems under pressure, suspended between preservation and disappearance.&lt;/p&gt;
&lt;h2 id="two-approaches-to-the-natural-archive"&gt;Two approaches to the natural archive&lt;/h2&gt;
&lt;p&gt;In her series &lt;em&gt;YAJNA&lt;/em&gt;, Ana Palacio works with images of birds whose habitats have been altered by human intervention. Adopting the visual language of documents and scientific records, the works consider ecological imbalance as well as the violence embedded in observation, classification, and possession.&lt;/p&gt;</description></item><item><title>Dreams That Wake</title><link>https://bardoberlin.com/exhibitions/dreams-that-wake/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/dreams-that-wake/</guid><description>&lt;p&gt;&lt;em&gt;Dreams That Wake&lt;/em&gt; was a multidisciplinary exhibition that approached dreaming as a political, poetic, and embodied space — one where displacement, loss, care, and survival are sensed beyond language. It worked through installation, VR, sound, ritual, and collective practices.&lt;/p&gt;
&lt;p&gt;Rather than treating dreams as private or abstract experiences, the exhibition understands them as shared territories shaped by migration, exile, interrupted homecomings, and inherited memory. Moving between immersive digital environments and material installations, the works invite visitors to listen, rest, participate, and imagine collectively.&lt;/p&gt;</description></item><item><title>Eclipse de Kreeh: Selk’nam Archive</title><link>https://bardoberlin.com/exhibitions/eclipse-de-kreeh/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/eclipse-de-kreeh/</guid><description>&lt;p&gt;&lt;em&gt;Eclipse de Kreeh: Selk’nam Archive&lt;/em&gt; was an immersive installation by Violeta Maluendres González, co-curated with Carla Andrade. It unfolds as a living archive exploring the memory, rituals, and worldview of the Selk’nam people of Tierra del Fuego, whose culture was nearly erased through colonial violence.&lt;/p&gt;
&lt;p&gt;Taking the work of anthropologist Anne Chapman as a point of departure, the installation transforms archival research into a participatory experience, inviting visitors to engage with documents, images, sound, objects, and materials.&lt;/p&gt;</description></item><item><title>FLUSSLAB — Edition 25</title><link>https://bardoberlin.com/exhibitions/flusslab-edition-25/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/flusslab-edition-25/</guid><description>&lt;p&gt;&lt;em&gt;FLUSSLAB — Edition 25&lt;/em&gt; brings together seven international artists after several weeks of research, experimentation, and artistic production in Berlin.&lt;/p&gt;
&lt;p&gt;Developed over residencies ranging from four to eight weeks, the works move across installation, sound, performance, interactive practices, material experimentation, and technology. The exhibition offers a glimpse into works in progress, new artistic directions, and the encounters and questions that emerged throughout the residency period.&lt;/p&gt;
&lt;h2 id="resident-artists"&gt;Resident artists&lt;/h2&gt;
&lt;p&gt;Asucena Di Giovanni (Canada)&lt;br&gt;
Cecilia Andino (Argentina)&lt;br&gt;
Juliana Andrea Astudillo Palta (Colombia)&lt;br&gt;
Kayla Jean Smith (United States)&lt;br&gt;
Núria Planes Llull (Spain)&lt;br&gt;
Pau Arissa Caellas (Spain)&lt;br&gt;
Pedro Street (Brazil)&lt;/p&gt;</description></item></channel></rss>